Whoseywhatsit Thursday: The Critiques

At the beginning of the month, the lovely Nicole Zoltack volunteered and won a query critique.  Below is her query and a summary of our critiques.

Dear Agent,

Nearing princess spinsterhood at sixteen, Princess Leila has tea with the handsome but slightly boring Prince Henrick. They make an awkward pairing, what with her longing for the love of her people and his unfulfilled desire to be a hero.

When Leila vows to change her people's opinion of her and dresses as a commoner for a walk in the village, the last thing she expects is to be kidnapped by a dragon. Nor is she the only princess in the dragon's clutches. Princess Margiet was snatched from her castle while out to enjoy the sunrise, and soon learns the dragon kidnapped them in the hopes of luring a prince to his cave so he can feed said prince to his sick mother.

Leila might not have any suitors, but she has several prince friends, not that she's content to sit around and wait for them to rescue her. Book smart Margriet hatches a plan to feed plants to the dragon's momma. Meanwhile, Prince Henrick arrives, eager to finally prove himself, wanting to save the princesses and not be eaten.

But Leila's attempt to save herself fails when she injuries herself, Margriet's food makes the momma dragon sicker, and Henrick does end up in the dragon's belly.

As new friendships are formed and rescue seems impossible, falling in love has never been more dangerous…

KIDNAPPED HEARTS is a 78,000-word fantasy YA novel with plenty of action and romance and a dash of humor told from Leila's, Margriet's, and Henrick's POV.

I am the author of a fantasy romance trilogy, Kingdom of Arnhem - Woman of Honor (2009), Knight of Glory (2010), and Champion of Valor (2011) published with Desert Breeze Publishing. Fifteen of my short works have appeared in various anthologies, including Mertales by Wyvern Publications, and many collections by Pill Hill Press.

Thank you for your time and consideration. I look forward to hearing from you.

Best regards,

Nicole Zoltack

A.E. and Jessie had some in-line comments, but I felt the consensus in our overall comments was worth posting. (Nicole will receive everyone's full comments via email.)

Larissa:

Hi Nicole,  My first thought is that this sounds much more like a MG novel than a YA.  It just feels too adventure-y, and not TEEN enough, which I know is ridiculously vague.  So, I don’t really have any in-line notes, because I think you need to rework and play up whatever YA elements/voice your novel has.  You might be best off focusing on one of the characters (Leila, perhaps) and giving us her emotional journey in the novel, then mention the other POVs where you have them in the third-to-last paragraph.  Best of luck!

Nikki:

Nicole,

I liked reading the query, there was definitely some voice that came through – but for some reason it felt very middle grade to me. I’m not sure what exactly, but lines like “she’s not content to sit around and wait for them to rescue her” felt immature somehow. As for the first paragraph, I don’t think it’s necessary. I don’t think having tea with Henrick is important. What’s important is getting her to the point of being kidnapped. I’m also not sure why her people have a bad opinion of her – and that’s probably important. So consider starting off with “Nearing spinsterhood at sixteen, Princess Leila vows to change her people’s opinion of her. Dressing as a commoner so she can (? Find out why they hate her? ) she finds herself kidnapped …

Hope that helps!

Nikki

Sheri:

Overall thoughts: the premise of the story is sound. I find tension, conflict, and wants – goals to work toward.  The opening phrase felt lively and interesting. But the rest of the opening felt like it was lacking something. I’d try combining the two thoughts and use a few descriptives that add more of a punch. The other issue I had was the specific use of Margriet’s name. I’d concentrate more on the two lead characters, drawing the reader more into their plight. I know Margriet has to do with the plot, but I think for this query you can get around using her so specifically. I’d also emphasis that there are more princesses missing. I found that intriguing.

 A.E.:

I have to say the wording mkes this feel almost MG, and ‘falling in love’ feels out of place.

What do you think? Share your thoughts in the comments!   

Writer's Wednesday: MC Goal Checklist (+ contest)

Self-portrait by AlkieBiter

I've been reading The Plot Whisperer by Martha Alderson and I'm getting some great information out of it.  So I thought I'd share the goal checklist with all of you.  I found this checklist particularly difficult before starting my novel, but I think forcing myself to answer these questions will make my main character stronger right from the get-go.

By the way, MC = main character.

*  What does the MC most desire?
*  What does she care about?
*  What strongly motivates her?
*  What is the MC moving toward?
*  What keeps her going, focus, committed when the going gets rough?
*  What needs to be done, saved, protected, solved, fixed, achieved, figured out, helped that she and only she can do?
*  What is her plan to accomplish that?

The question in bold I think is particularly important.  It made me realize that it's not enough simply for your MC to push through, but that she has to have a reason for doing so.

Working on answering these questions helped me more clearly define my next novel before I got started.  Have you ever done a checklist like this before starting to write?  Do you think this one will be useful to you?  Anything else you'd add?
 
CONTEST ~

Please stop by my blog - The Daily Harrell - to enter to win an autographed ARC of The Syndicate from Shelena Shorts.  Open Internationally.

Whoseywhatsit Thursday: Grrrr

Well, I'm sitting here,stewing mad in my jammies, no coffee, new computer to acclimate to (so please excuse any typos) and no updated calendar. So, my apologies for this post being late, off the cuff and a tad grumpy.

Incidences of similar types have characterized this week for me, from different sources but still touching on our YA world in one way or another. Sensationalism in the media, and nasty reviews of other peoples books, both points in a pattern cropping up in this seeming consequence-free environment of the Internet and media.

What started this, you might wonder. Well, ABC News ran a segment on the national televised news--NATIONAL TELEVISED NEWS!!--titled Real life Hunger Games. I watched, aghast, thinking something horrid had happened because some one took the concept of the book into the real world. YES, what happened was truly terrible. NO, it did not have a damn thing to do with the book. The only thing similar was a child and an admittedly tragic shooting with an arrow. I didn't hear one mention, not ONE, of the book, the film, the franchise. Here's the LINK.

Why the hell would they point fingers at such a huge YA franchise? Popular culture sells. People come running when they hear negative references to pop culture icons like The Hunger Games franchise. Especially if the media can scandalize something including violence. Think about the people claiming to be bitten right after Twilight released in theaters. It was all about getting attention by using a pop culture icon. Name dropping for the sake of attention.

Do they stop to think about the possible negative affect they can have on the author, the publishers and readers?? No. Look at me, look at me.  

While I'm at it. I've been pointed to a couple vicious book reviews lately. I won't say what huge review site they are on, or what books because that's not what this is about. This is about the bigger picture, and an illness taking hold. People can say what they want, spray vitriol and hateful comments, and it gets them more page views.

Go ahead, crucify me. I think it needs to be said. Nasty, it seems, is getting popular.

Whatever happened to saying nothing if you have nothing nice to say?